Curiously, the neo-Nazi villain of the story, Frank Collin, is—like Adler—the son of a Holocaust survivor.  Rejecting his father, Collin became a virulent anti-Semite, but his right to demonstrate in Skokie is nevertheless defended by the American Civil Liberties Union.  The ever-venomous Collin tells his lead counsel, a Jewish lawyer, "Don't think just because you are representing me free of charge that when we take over this country you won't be the first one to go to a gas chamber."



As community leader and survivor Aaron Elster says in an interview: "The neo-Nazis accomplished something... they were the stimulus of the survivors getting together and saying hey, we've got to do something."



And what they did was to end their years of silence, become truth tellers, and speak out so that their painful stories would not be forgotten.



In Surviving Skokie, the filmmaker's father, Jack Adler—a Polish Holocaust survivor—confronts his own past, returning to Poland with his son to tell the stories of family members who perished in the ghetto and death camps. They visit Pabianice, Poland, Jack's ancestral home and Auschwitz—retracing the steps of Jack's horrifying journey.

Surviving Skokie is the story of a community's battle against the voices and gestures of hate, of a quiet village and its once-turbulent history.  It is a universal story about the importance of speaking up and out.  And it is the personal story of a quest through which a man and his father rediscover their pasts.